
You know, all this time I have spent talking about the places we went to, when the real amazing part of our journey was the Train. The train was our home when no one else would take us in. In all we traveled about ~8,995 miles (14,476 km) on the train. We took 14 different train trips. We met tons of interesting, uninteresting, weird and lovely people on the trains. Ate probably about 65 peanut butter and jelly sandwiches in as much as 23 days. And Mark lost about half of what he brought with him.
When we were in PEI, at the Folksy open-mic night, an older gentleman got up and performed a song called "I like Trains." It became kind-of emblematic of our trip, not necessarily for deep, metaphysical value, but just because of the title. I found out the original song was written by a country-folk musician called Fred Eaglesmith. His version is much too serious, like he's having a hernia on his guitar. The white-moustached man at the folk bar performed it with gusto, the klondike baritone we had been seeking throughout our trip. So i found the song on iTunes and have combined it with some train footage. It's kind-of a corny song, but i added a special surprise at the end that just kicks it right back into gear! I hope you enjoy:
I’ll do my best to romanticize the train as much as I can now. You don’t realize the impressionable significance of riding on a train so long for so many days. It becomes a home, and what a strange home. It allows you to see the world passing by as landscape. Thoughts become little spectral tails that follow you around like the white spots that cover your sight when your brain doesn’t get enough oxygen, or like Windows Media Player Visualizer or something. It’s a mixture of boredom and fascination, being glued to the same seat but watching a forever changing theater. Your thoughts wander, the world becomes question after question after question:
Et l'avance perpétuelle du train
Tous les matins on met les montres à l'heure
Le train avance et le soleil retarde
Rien n'y fait, je'entends les cloches sonores
Les gros bourdon de Notre-Dame
La cloche aigrelete du Louvre quie sonna la Barthélémy
...
Le train tonne sur les plauqes tournantes
Le train roule
Un gramophone grasseye une marche tzigane
Et le monde, comme l'horloge du quartier juif de Prague, tourne éperdument à rebours
-Blaise Cendrars
After we left Montreal I wrote this poem about its permanent residents:
Pigeons are wonderful critics
unobtrusive and deliberate
sit there, flat asses on the heads of pioneers
imprint their shit like testimony,
apolitical indifference.
Pigeons, anarchic
deny a controlling
history with abject
insubordination;
free thought
Why laugh? Chew bread and digest
smother a poem from your bowels
on the canvas and screech like
a dumb bird. You won't get shot.
They won't shoot you.
Ah hell, he doesn't know any better.
This was written on the train. Life came to pigeons while sitting on the train, i had time to think of it.
My thoughts became globules of possibility.
The strangers on the train, we were incubated in the same tank for as much as twelve hours at times, even full days at other times. People would come and go; there was seldom a conversationalist. Everyone is assumption with strangers on a train. That’s probably why Hitchcock assumed you could ask one to kill your wife if you kill his mother and the situation would just slide into assembly. Everyone has that criminal potential of being mysterious; although most people are probably boring, it’s still potential.
The name of the three day train from Toronto to Vancouver is The Canadian. While the train at this point was no stranger, we had met Deewight and Elaina in Portland, Maine. And also the train conductor in Sackville. But The Canadian was the first time that we were sentenced to the train, that it was institution as much as it was travel. We stretched our legs out, prepared the loaf of bread, the newly bought peanut butter and the unopened jelly, took out our thick skinned books and stared out the window longer than a lifespan.
It’s interesting to let assumptions penetrate you, while sitting docilely on the train. It’s easy to fall in love with a skinny girl, slumped over and staring out the window wistfully. Imagining her to be thinking of what she would do if forced to live in a meadow, or if she displaced her soul to a deer’s, would she still think of her boredom in the same manner. And then the question, what if she was a deer and this imagining of being a deer was a mild fascination scurrying through the deer’s consciousness—her whole life a dream. Or she was thinking about clothes or shopping. She was thinking about Hegel’s definition of consciousness: (The Immediate object [(Sense-certainty+perception) - negative self-consciousness] + itself; the object (the true essence)) (←this is one of the reading materials I took on the trip, that and Miranda July’s No One Belongs Here More Than You. Essentially the same book.) She probably wasn't thinking about Hegel.
Who knows what she’s thinking of? That’s the beauty! That’s why it is totally permittable to fall in love with her abstraction. She could be thinking anything. She could be the proverbial anonymous superhero that embodies Bruce Willis’ character in Unbreakable. That stranger on the train, why any one of them could be the invincible nobody. Oh, the beauty.
But then, The Canadian also offered an Observatory car. I should mention that a certain class of people pretty much dominates the observatory car. This is senior citizens with a penchant for outdoor clothing (i.e. fleeces). It was exciting being up there, what with the clamor. Mark much preferred the scenery with his camera close at hand. I think he took something like 2,000 photos from the observatory car alone. But these old people would jump with excitement, spring from their seats at the possibility of a moose or a bald eagle. They had aggressive arguments with one another, in the words of Mark, trying to “out-outdoors” one another:
“Well, I climbed a mountain.”
“Is that right? When I climbed mountains, I got halfway up one the size of K2.”
“But did you have a broken arm? Hah!”
The alpha-necessity of these old codgers was priceless. My favorite was a surly old Irish man who delighted us with a story: "A small boy comes to a pile of horse manure--starts digging. ‘There's got to be a pony here somewhere,’ yells the boy.”
It’s interesting how much the train possesses you. You begin to think in terms of train. Mark had a wonderful idea for a story. A train is stopped in a field. There is a train conductor fidgeting with a control panel on the train. He gets on the intercom, says, “Ahoy, folks! If you’d direct your attention to the right side you can see a heeeeeeerd of buffalo…”
Everyone moves to the right side. The left window is replaced with a video screen of the same pasture, only this time there is a videorecorded loop featuring a herd of buffalo. The conductor says, “I’m sorry, on the left side, a heeeeeeeeerd of buffalo…”
Everyone goes to the left side, sees the herd of buffalo on the video screen. The right side is changed to a video screen of the pasture.
So they are only watching a tape of the train. We had conflicting ideas for how to end the scenario, though. In my version at this point, either the window panels make the train appear to be moving, so the conductor can go to sleep under the control panel. He sleeps there for a century as confused passengers think they are riding home, eternally never getting there. Or in Mark’s version, the video displays keep showing the train not moving, then the conductor takes them to their destination and they get off, confused that home is where a herd of buffalo are not.
Mind-blowing, eh?
In times of great boredom, to the point where it’s strenuous boredom, I begin to think of new properties, new ideas to maintain my own personal vision of life. For instance, her is a new physical law I made up:
The "Imprint Impact Theory"
It’s interesting to let assumptions penetrate you, while sitting docilely on the train. It’s easy to fall in love with a skinny girl, slumped over and staring out the window wistfully. Imagining her to be thinking of what she would do if forced to live in a meadow, or if she displaced her soul to a deer’s, would she still think of her boredom in the same manner. And then the question, what if she was a deer and this imagining of being a deer was a mild fascination scurrying through the deer’s consciousness—her whole life a dream. Or she was thinking about clothes or shopping. She was thinking about Hegel’s definition of consciousness: (The Immediate object [(Sense-certainty+perception) - negative self-consciousness] + itself; the object (the true essence)) (←this is one of the reading materials I took on the trip, that and Miranda July’s No One Belongs Here More Than You. Essentially the same book.) She probably wasn't thinking about Hegel.
Who knows what she’s thinking of? That’s the beauty! That’s why it is totally permittable to fall in love with her abstraction. She could be thinking anything. She could be the proverbial anonymous superhero that embodies Bruce Willis’ character in Unbreakable. That stranger on the train, why any one of them could be the invincible nobody. Oh, the beauty.
But then, The Canadian also offered an Observatory car. I should mention that a certain class of people pretty much dominates the observatory car. This is senior citizens with a penchant for outdoor clothing (i.e. fleeces). It was exciting being up there, what with the clamor. Mark much preferred the scenery with his camera close at hand. I think he took something like 2,000 photos from the observatory car alone. But these old people would jump with excitement, spring from their seats at the possibility of a moose or a bald eagle. They had aggressive arguments with one another, in the words of Mark, trying to “out-outdoors” one another:
“Well, I climbed a mountain.”
“Is that right? When I climbed mountains, I got halfway up one the size of K2.”
“But did you have a broken arm? Hah!”
The alpha-necessity of these old codgers was priceless. My favorite was a surly old Irish man who delighted us with a story: "A small boy comes to a pile of horse manure--starts digging. ‘There's got to be a pony here somewhere,’ yells the boy.”
Everyone moves to the right side. The left window is replaced with a video screen of the same pasture, only this time there is a videorecorded loop featuring a herd of buffalo. The conductor says, “I’m sorry, on the left side, a heeeeeeeeerd of buffalo…”
Everyone goes to the left side, sees the herd of buffalo on the video screen. The right side is changed to a video screen of the pasture.
So they are only watching a tape of the train. We had conflicting ideas for how to end the scenario, though. In my version at this point, either the window panels make the train appear to be moving, so the conductor can go to sleep under the control panel. He sleeps there for a century as confused passengers think they are riding home, eternally never getting there. Or in Mark’s version, the video displays keep showing the train not moving, then the conductor takes them to their destination and they get off, confused that home is where a herd of buffalo are not.
Mind-blowing, eh?
In times of great boredom, to the point where it’s strenuous boredom, I begin to think of new properties, new ideas to maintain my own personal vision of life. For instance, her is a new physical law I made up:

-A force will have the most occupation at the center of a region, if the force is repeated on at the crest within the retreating wave pulse, thus quantifying the power of the force. Impact grows in spot with additional force amplifying recycled energy. The image of a man hitting a pole so fast, he hits on the vibration. The vibration exponentially grows to the point when the metal can no longer sustain the impact and the locus of the compiled forces breaks the pole.
Something like this, but not exactly:
My fake theory is more like, if he was hitting the pole so fast in the same place, it cracks the pole. Science fiction, baby!
Or I’ll begin to think in complete abstraction, separated lines that come to my head and make their own bit of poetic sense:
Misery: I say (to a jar of jelly), "If you weren't so sweet, i'd blow your fucking brains away."
I made some friends on the train in addition to just thinking ridiculously. One guy was the man working the snack bar on the Canadian. He had tons of little drawings hanging up at his post, which was about the size of a closet. They were little cartoons he had drawn. His name was Denis, and from here on, he shall be known as Denis the Animator.
A lot of what he drew were cynical snapshots of ViaRail, like Far-Sides that dealt with the grueling monotony or corporate superficiality of the company. They were corny, but were drawn with great potential. One of them had an astronaut with a rocketship taking off in the background, a speech bubble says: "I lost my connection, thanks to VIA," har har. Another had a row of humanoid VIA employees marching in unison with big, open eyes saying: "We are all the same." He was probably miserable in his box, selling snacks and coffee. He told me was between semesters of art school, which is great. To the right is a cartoon he drew just for me!
Misery: I say (to a jar of jelly), "If you weren't so sweet, i'd blow your fucking brains away."

A lot of what he drew were cynical snapshots of ViaRail, like Far-Sides that dealt with the grueling monotony or corporate superficiality of the company. They were corny, but were drawn with great potential. One of them had an astronaut with a rocketship taking off in the background, a speech bubble says: "I lost my connection, thanks to VIA," har har. Another had a row of humanoid VIA employees marching in unison with big, open eyes saying: "We are all the same." He was probably miserable in his box, selling snacks and coffee. He told me was between semesters of art school, which is great. To the right is a cartoon he drew just for me!
Another guy i met on the City of New Orleans train was a environmental engineer who was doing some research to find the effects global warming has had on the wetlands. I tried to convince him that global warming was a farce, but he would hear none of it. Didn't like creation theory too much either. Well, buddy, you got some explaining to do when you meet your maker, aight?
Occasionally, I'd just spend hours in the dining car listening to people talk. Sometimes new or old friends would convene there for an impossible amount of time. One of my favorite characters was the man who told very mundane stories but sets them up like jokes. He was great. Every thing he said was rife with dramatic pause and punchline:
So then Bob says to him, "if there's not whitefish on the menu, I quit"
So the other guy says "well, where's the whitefish?"
The cook says, "It's in the fridge."
The cook says, "It's in the fridge."
Man, i love storytellers.
Other things i heard on the train: “I just did some coke fell into an air bubble”
And on sugar alternatives, rats and sucralose: “it rotted their teeth long before it gave them cancer.”
Then there were other things i just imagined:
A guy, who was by himself, thinking he didn't win but he was far from defeated: “happy just being beta” A preserved man, when the bigger dog’s not in the room, he speaks!
Or the man with tranquil patience, “he’s the kind of guy who appreciates that kind of boredom” Imagine a guy drilling a hole in his head on the side of a mountain.
A diner in the middle of the Western provinces, or the midwest; a sign on the window says, “free tits with your coffee.”
“We’re just trying to get feelers,” says the manager.
And the justification for a photographer's eating cheese (gelatin): “Taking a photograph isn’t even vegan!”
Another impressive train was the Empire Builder, from Portland to Chicago. Intermittently throughout the ride, the conductor would come on board the lounge car and tell all the passengers stories about the places we were at. It was called "The Empire Builder" because it was a train meant to implement the new side of the American Empire, the Midwest. A capitalist named James Hill invested in the train's building to instill the economic magnitude of the upper side of the United States. It did not blossom as he thought it would.
He let us in on many of the mechanics of the train's flight, such as during christmas time, Federal Express will pay a million dollars to ensure that one train has priority over passenger trains. Traveling at that time of year can take innumerable amounts of time (maybe that's an exaggeration) because of the paid hierarchy of busy trains trying to meet their deadline. He also explained the use of wind-breaker poles in Montana. The wind is propelled to heights of over 80 mph. The train could be whisked right off its tracks. Luckily, engineers exist and we roam the empire freely.
Here's a poem i wrote about "Montana"
cars govern the landscape
rotting in the red sand
melding dust with their old fur
a cow tranquilly bites grass near-by
smelling the well of oil
pumpling like a pendulum
the sound of a ghost smothers the air
wanting more and more and more
more sky, more wind, more loneliness
the ready landscape, open like a blouse
begins to bloom corn, potatoes and wheat
to be processed in a plant near-by
where mechanics toggle noisy machines
and function.
It's hilarious!
The people that we met on the the Empire Builder were an interesting bunch. I particularly liked a single woman who was traveling with her child. An older guy traveling with his daughter remarked that their kids were about the same age, so they became play-date partners. It was easy to see that the man was hitting on the woman, pretty strongly. Nevertheless, she refused to take the hint so casually. She talked boldly, so loudly, and made no reservations about her views or her life. It seemed she had been going through hard times, her husband dying and then losing her home. I think she was on her way to Chicago to visit family. She could not really afford these trips, but loved taking them. She spoke eloquently about her decisions for the election and her hope that the economy would resurface and she could support herself again. She seemed to have no ambition to be married again, just to support her son. I thought she was beautiful.
As we pulled across the Midwest a group of farmers crazy about heading to casino got on board and started drinking Keystone and Budweiser. They were awesome. It seemed they did this a couple times a year. they would get hammered on the train, leap into a casino and burn what they got. It sounded crazy. In fact, every time we went over a bridge they all screamed together. It was amazing.
The group was in their mid-40s. But they were traveling with an older couple in their 70s. The older pair were school bus drivers. They all knew each other because they were neighbors. At one point, the older man pointed out the window and said, "This is where i hit the deer going over the railroad tracks. It smashed the fender in an inch and bent the front frame; sent off some parts. The deer completely scattered..." Apparently he had been driving a lacrosse team to practice and was hot-tailing it at 70 mph, incidentally a normal routine. "I had to go back the next day to collect all the parts." I couldn't tell if he was referencing the deer or the car.
A pretty young mother in Minnesota sat with us at one point, her small kid infatuated with Mark. She told him to sing a song and he sang "Revolution" by the Beatles, knowing every word. The mother was a very pretty girl, with fair, pale skin and dark red hair and lips. She seemed sad, but contained. She was smiling prettily. Her son kept getting very close to Mark's face and staring at him, the way people stare at fish. It freaked Mark out, but he was entranced. The kid seemed to be magical. And he barely knew words, but he knew the entirety of the Beatles' song. It was scary.
The Midwest is haunting and romantic. I have to travel it again soon, another way. Perhaps, i could bike across it! Here's another poem i wrote about the train:
I live on nothing and its egg
I am a landscaper
i traverse theland in search of water
food and vice
I am a voyager for conversation
i look for queens in cake
for soldiers in the recluse
i look for atomic energy in balloons
i carry on because i must
i must live
i must not die
i must live
through thick tortures and starvation
you must realize
this world has such beauty
growing all over.
The Cowboy and the Ford
"Dammit, I told you we're stopping her."
"She's not a she, she's indiscriminate."
"You stop her, or i'll kill ya."
"Whoa, there."
"You heard me."
"What?"
"The knife."
"Whoa."
"Why ain't she stopping?'
"She's a car. I have to stop her."
"Well, stop her then, why don't you."
"She doesn't need to stop."
"I know nothing but what i know. And i know steeds that need water. You stop her or I'll kill ya."
"Alright, alright. I'll stop her."
They pull over to a Texaco. Bill goes in--"I'll have ten bucks on 2 and this package of Hostess cream pies."
"You better watch your friend there."
"Huh?"
"He's whipping your vehicle, there."
"Oh for the love of--"
"well, i never..."
"Dammit, I tells ya to drink so drink. I tell you to move girl, Move!"
Bill hands Wylie the keys.
"This'll get 'er moving."
"You're a sick man, Bill. But that's why i'll ride with ya."
Wylie walks to the gas tank, opens it and jams the keys in.
"Ha!" he yelps, "Done never boosted a steer in the rectum before. Feels pretty good."
Bill just kinda shakes his head.
I am a landscaper
i traverse theland in search of water
food and vice
I am a voyager for conversation
i look for queens in cake
for soldiers in the recluse
i look for atomic energy in balloons
i carry on because i must
i must live
i must not die
i must live
through thick tortures and starvation
you must realize
this world has such beauty
growing all over.
I also wrote this short story, as so many cowboys boarded the train and i wondered, could there be one that is still 200 years back in time. (Although, this story is very obviously set in Texas. Oh well):
The Cowboy and the Ford
"Dammit, I told you we're stopping her."
"She's not a she, she's indiscriminate."
"You stop her, or i'll kill ya."
"Whoa, there."
"You heard me."
"What?"
"The knife."
"Whoa."
"Why ain't she stopping?'
"She's a car. I have to stop her."
"Well, stop her then, why don't you."
"She doesn't need to stop."
"I know nothing but what i know. And i know steeds that need water. You stop her or I'll kill ya."
"Alright, alright. I'll stop her."
They pull over to a Texaco. Bill goes in--"I'll have ten bucks on 2 and this package of Hostess cream pies."
"You better watch your friend there."
"Huh?"
"He's whipping your vehicle, there."
"Oh for the love of--"
"well, i never..."
"Dammit, I tells ya to drink so drink. I tell you to move girl, Move!"
Bill hands Wylie the keys.
"This'll get 'er moving."
"You're a sick man, Bill. But that's why i'll ride with ya."
Wylie walks to the gas tank, opens it and jams the keys in.
"Ha!" he yelps, "Done never boosted a steer in the rectum before. Feels pretty good."
Bill just kinda shakes his head.
I wrote this and thought, well, you've officially lost your mind. It turns out, it's pretty awesome. I also had this vision. Take note, it's set in a train's dining car:
On the way to Morlock, a wizard is eating a bucket of fried chicken. The train steward asks him to stop, people are complaining. The wizard stops eating, sits down as withdrawn as a coma. Another wizard gets up, takes the chicken, speaks with his eyes. "I was the one who complained about the chicken!"
"I demand you put it down or pay the price!"
"Then let this unfold between you and I, Wizard! A test of magic it will be!"
On the way to Morlock, a wizard is eating a bucket of fried chicken. The train steward asks him to stop, people are complaining. The wizard stops eating, sits down as withdrawn as a coma. Another wizard gets up, takes the chicken, speaks with his eyes. "I was the one who complained about the chicken!"
"I demand you put it down or pay the price!"
"Then let this unfold between you and I, Wizard! A test of magic it will be!"
"So it shall!"
Also, inspired by the invisible chess game i saw in Toronto, i became affixed with the idea that invisible chess could be happening all over. I mixed the imagery of the chess game with counter-culture rhetoric:
Invisible chess game
In America, the whole system is set up on weights of overconsumption. Moves knight to C6. We look for answers or cures in images or fascinations. Opponnet moves pawn at B4 twice forward. Obsessed with overdrive, we attempt to gesticulate the image. Moves pawn at B8 twice forward into some malignant representation, an innocuous anything. Opponent looks at blank table for a long time. Sugar, television, violent imagery, sports shows, pornography, video games. Opponent moves knight to C4. By creating a stimulus, we empower the mind to be active while our bodies remain dormant and lazy. Moves pawn at B5 one forward. It’s a compromise with our soul, to look like we’re engaged in a passion—when it’s nothing more than sports. Opponent moves up rook to C8. So eventually, eventually, we are so overpowered with dullness we lose sight of engagement—and find solace only in consuming moves Queen out to A4. Check. “What do you mean? It’s not checkmate.” “I said Check.” “You moved your pawn there. It’s Check.” “I never moved my pawn there. I move this one.” “To A4?” “To A3” “No, you didn’t.” “I did. You haven’t been watching.” “I’ve been keeping track, you haven’t.’ “Now you screwed up my whole concept of the board.” “I’ve still got it.” “So is that check?” “Yes it is!”
The table before them is still bare. With their eyes, they’re still arguing.
And I'm also working on a story about vegetable eugenics. The tale of the tomato as the proper fruit.
And I'm also working on a story about vegetable eugenics. The tale of the tomato as the proper fruit.
But we'll get to that nutso facto later.
Probably the most impressive segment of the journey was The City of New Orleans Train, that goes from Chicago to New Orleans. We met two amazing people on this train that pretty much just blew my mind for life.
The first was an R&B singer going to Tennessee named Chad Dixson. He was a "spiritual singer," singing songs "for the ladies." He told me the story of how he found God, found Life. He was a reformed gangbanger. He told me about the incident when he was up for two weeks straight on cocaine, drinking hard liquor (Ian Jay?) and smoking so much weed it lost feeling. At one point, his heart stopped for 16 minutes. His neighbor saw his door open and came into his room. She called 911 and the ambulance took ten minutes to arrive.
"When I died, i wanted it. It felt good. It felt perfect. I walked into the bright light and never turned my head. God said 'no.'"
Twice he was going to be shot while being robbed of his dope. A gun to his head, the gun jammed. He pistol-whipped the first guy to near death. The second guy, he was prepared. Had his "cousins" lying in wait. They went to attack the guy, but he started shooting for real.
He had a scar on his arm from when he was stabbed. Another on his thumb form blocking a razor to his throat.
He regrets the past but looks more forward to the future. He realized, when he died, the mistakes he was making with his life and that God had chose him, had adorned with a gift: his voice. He told me, "Everyone on this earth has something they do well. Mine's my voice. I'm using that."
So when i met him, he was on tour. He was singing in four places in Tennessee, then Atlanta and flying to San Bernadino in California. He seemed to be exhausted from all the traveling he was doing.
For two years, he has been trying to get on American Idol. "I'm 29 next year. it's my last chance, this time."
Although, i've never found his information on line. I don't even know what his voice sounds like.

Mark had started a conversation with a man named Bill. An old man, 75 years young, lived that long without any medication of any kind: "Just rub the nerves on my wrist. It send the ends right out." When he did this motion, this rubbing the wrist, it felt like a stream of water was falling over the knees.
"Problem is people want to take a pill when they're in discomfort, but there's side effects. Effects heart, liver and kidneys. And you need all three. Pills is these people's downfall."
The man lived on the train. He exploited the same passes that we had bought, using his pension or social security or whatever to just buy train tickets. He owned a farm in the South, and he stocked up for week long train trips. He had a 2 gallon ice cream bucket filled with fresh-picked persimmons. They were small juicy fruits like plums, but tasted like caramel.
He had no teeth so everything he ate needed to be dissolvable. He ate the fruit he picked from his trees. He packed cookies and bread for sugar. And before he went on a trip, he took one of the chickens from his roost and minced it up, stuck it in an ice cream bucket. Unrefrigerated chicken for a week. Living like this for years, but he was spry as a dog.
He had owned his piece of land for 35 years. Saw his wife go from cancer. His daughters go from cancer. He didn't take pills, his immune system wasn't weakened. So now, he lived on the train and spent the in-between time maintaining his land so he could live from it. He even told me how "to separate the vine from the eyes of sweet potato, in order to let it grow separate so they'll last through winter."
His plot was divided up as so, 30 quarts peaches, 30 quarts pears, 20 quarts grapes, 10 quarts cherries. He canned food when it was in growth, sustained him throughout the year. He had a wizard's white beard and Robin Williams' top-of-cheek to top-of-cheek smile. When i first started talking to him has demanded, "Tell me a big one." I was stuck, unprepeared, searching my mind for medieval quests, but winding up with childhood exploits. He said, ah never-mind. And started telling me jokes that were corny as hell. "You know why politicians float? Because they're fulla hot air!" Then an old man cackle like i never imagined i'd hear in real life, giddy as a prospector and twice as excited. He was amazing.
He imparted maybe the most important words of the trip, "As long as you can make fun of yourself, you've got someone to rag on"
The train is a giant, cancerous body that overtakes the entire landscape. It is a chain pulled tight around the continent for fastening. But because it's there and because we're human, we'll use it. It allows us to see all the places it strangles, and it has the power to unite worlds, connect 10,000 miles in a mere few days. It is unspeakably lonely and its imagination is incredible. This isn't even the tip of the iceberg, what Mark and me saw, it's only the beginning. The beginning of the loneliness of the train:
The goldfish is dead this morning on the bottom
Of her world. The autumn sky is white.
The trees are coming apart in the cold rain
Loneliness gets closer and closer.
He drinks hot tea and sings off-key
This train ain’t a going-home train, this train,
This is not a going-home train, this train
This train ain’t a going-home train ‘cause
My home’s on a gone-away train. That train.
"When I died, i wanted it. It felt good. It felt perfect. I walked into the bright light and never turned my head. God said 'no.'"
Twice he was going to be shot while being robbed of his dope. A gun to his head, the gun jammed. He pistol-whipped the first guy to near death. The second guy, he was prepared. Had his "cousins" lying in wait. They went to attack the guy, but he started shooting for real.
He had a scar on his arm from when he was stabbed. Another on his thumb form blocking a razor to his throat.
He regrets the past but looks more forward to the future. He realized, when he died, the mistakes he was making with his life and that God had chose him, had adorned with a gift: his voice. He told me, "Everyone on this earth has something they do well. Mine's my voice. I'm using that."
So when i met him, he was on tour. He was singing in four places in Tennessee, then Atlanta and flying to San Bernadino in California. He seemed to be exhausted from all the traveling he was doing.
For two years, he has been trying to get on American Idol. "I'm 29 next year. it's my last chance, this time."
Although, i've never found his information on line. I don't even know what his voice sounds like.
Mark had started a conversation with a man named Bill. An old man, 75 years young, lived that long without any medication of any kind: "Just rub the nerves on my wrist. It send the ends right out." When he did this motion, this rubbing the wrist, it felt like a stream of water was falling over the knees.
"Problem is people want to take a pill when they're in discomfort, but there's side effects. Effects heart, liver and kidneys. And you need all three. Pills is these people's downfall."
The man lived on the train. He exploited the same passes that we had bought, using his pension or social security or whatever to just buy train tickets. He owned a farm in the South, and he stocked up for week long train trips. He had a 2 gallon ice cream bucket filled with fresh-picked persimmons. They were small juicy fruits like plums, but tasted like caramel.
He had no teeth so everything he ate needed to be dissolvable. He ate the fruit he picked from his trees. He packed cookies and bread for sugar. And before he went on a trip, he took one of the chickens from his roost and minced it up, stuck it in an ice cream bucket. Unrefrigerated chicken for a week. Living like this for years, but he was spry as a dog.
He had owned his piece of land for 35 years. Saw his wife go from cancer. His daughters go from cancer. He didn't take pills, his immune system wasn't weakened. So now, he lived on the train and spent the in-between time maintaining his land so he could live from it. He even told me how "to separate the vine from the eyes of sweet potato, in order to let it grow separate so they'll last through winter."
His plot was divided up as so, 30 quarts peaches, 30 quarts pears, 20 quarts grapes, 10 quarts cherries. He canned food when it was in growth, sustained him throughout the year. He had a wizard's white beard and Robin Williams' top-of-cheek to top-of-cheek smile. When i first started talking to him has demanded, "Tell me a big one." I was stuck, unprepeared, searching my mind for medieval quests, but winding up with childhood exploits. He said, ah never-mind. And started telling me jokes that were corny as hell. "You know why politicians float? Because they're fulla hot air!" Then an old man cackle like i never imagined i'd hear in real life, giddy as a prospector and twice as excited. He was amazing.
He imparted maybe the most important words of the trip, "As long as you can make fun of yourself, you've got someone to rag on"
The train is a giant, cancerous body that overtakes the entire landscape. It is a chain pulled tight around the continent for fastening. But because it's there and because we're human, we'll use it. It allows us to see all the places it strangles, and it has the power to unite worlds, connect 10,000 miles in a mere few days. It is unspeakably lonely and its imagination is incredible. This isn't even the tip of the iceberg, what Mark and me saw, it's only the beginning. The beginning of the loneliness of the train:
The goldfish is dead this morning on the bottom
Of her world. The autumn sky is white.
The trees are coming apart in the cold rain
Loneliness gets closer and closer.
He drinks hot tea and sings off-key
This train ain’t a going-home train, this train,
This is not a going-home train, this train
This train ain’t a going-home train ‘cause
My home’s on a gone-away train. That train.
-Jack Gilbert